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Uncle Orson Reviews Everything


Sayings, Film Adaptations, CO2 Science


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...continued from page 2

Carbon dioxide is fertilizer for all plant life. For millions of years, the coastal jungles of the dinosaur era sequestered natural atmospheric carbon dioxide and kept it out of circulation.

In effect, we have starved for CO2 for millions of years because all those plants selfishly drank up all the atmospheric carbon they could and then thoughtlessly died without returning it to the atmosphere.

We're only putting it back where it started.

And every serious climate scientist has to admit this fact: Whatever else our carbon dioxide emissions might be doing, they are definitely fertilizing forests and grasslands all around the world. Where humans are involved, that means orchards and grainfields.

If we really did reduce our CO2 emissions, it would cause a worldwide decrease in crop yields. That's a fact, not a computer model.

The real limiting factor should be this: The supply of oil and coal is finite. It was larger than the alarmists of the 1970s and 1980s supposed, but that doesn't mean that we will never run out. It is quite possible that in a mere two centuries of fossil fuel consumption, we will use up the entire supply of accessible sequestered carbon.

That, not groundless fears of global warming, is the reason we need to find other means of generating energy. Instead of worrying about carbon emissions, we need to search desperately for a means of powering our transportation and heating and cooling our habitations that does not depend on a resource that, once it runs out, is gone forever.

My fear is that because of all the lies and deceptions, all the oppression of dissent and nastiness of the global warming alarmists, the general public, once free of those delusions and lies, will think that all warnings and dangers are false.

In other words, we have been through three decades of massive wolf-crying about a nonexistent wolf, so that people won't believe in the need to deal with the real wolf of depleting resources.

We have a responsibility to future generations to leave them with the resources necessary to sustain a modern society. It is a sin to burn it all up when we don't have to. CO2 is a non-issue and always has been – only the eco-puritans took it seriously and then foisted it on laypeople who trusted in "science."

The net effect of their falsehoods will be a loss of trust in real science, and that's a crime. Because there are dangers to the environment, and serious consequence from burning up resources that can never be renewed. And thanks to the global warming clowns, I fear that nobody will pay attention.

Meanwhile, the IPCC is due to put out another report. Let's see if they actually tell the truth this time, or continue to suppress facts, twist statistics and lie, lie, lie in support of their blind faith in evil human-caused global warming.

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  1. print email
    December 27, 2012 | 11:07 AM

    Ha ha ha. This science FICTION writer complains about a society who is desensitized to the depletion of our natural resources because of the "wolf-crying" scientific community. But fails to mention the unbridled greed by his buddies on the right. Grow up.

  2. print email
    Changing energy sources
    December 27, 2012 | 01:28 PM

    Only by having a change benefit the individual who's making the change will replacement sources of energy be adopted -- unless the government mandates it. But even then, people will change the gov't. if they don't like the energy source change. Saving the world is not something people get excited about until it's obvious to the individual that something must be done.

    Mudd
  3. print email
    December 27, 2012 | 11:22 PM

    "Through all of this, they have insisted that human-caused global warming is a fact, and that anyone who resists it is in the same category as creationists and Holocaust-deniers.

    This namecalling is another confession that they haven't got the data to make their case. If you have the data, you don't have to call names. The science speaks for itself."

    Didn't realize this was satire until you started calling those who disagree with you clowns and liars.

  4. print email
    LOTR reviews
    December 28, 2012 | 12:49 PM

    OSC, what happened between the time the LOTR movies came out and now? You loved them then. Youo had a few quibbles (which I didn't include, but here are paragraphs from your previous reviews:
    One quick review. "Fellowship of the Ring" isn't just a good adaptation of the first volume of Tolkien's "Lord of the Rings." It's an excellent film, moving and thrilling, scary and magical and full of nobility and comedy and tragedy and brilliant acting and gorgeous settings. The trickery that gives us half-size hobbits is so effective you have to force yourself to remember that Elijah Wood and Sean Astin are actually full-size adults. But you won't be thinking about that, because the filmmakers concentrated on what really matters: They put storytelling first.

    The Two Towers isn't in serious contention for awards -- and shouldn't be. It's a very good film, but as the middle of a trilogy, it neither begins nor ends. I loved it, though, and appreciated most of the changes.

    But all of this is moot. This is the last chance for Lord of the Rings to receive an Oscar, and if it doesn't, that will be a worse stain on the Academy's history than the Best Picture award forThe English Patient.

    Karla
  5. print email
    What made you change your mind?
    December 28, 2012 | 06:58 PM

    "I guess the Academy decided that this was the last chance to get on record as having noticed one of the great achievements in film history -- the excellent adaptation of the greatest work of fiction of the 20th century, J.R.R. Tolkien's Lord of the Rings."

    This quote is from Uncle Orson Reviews everything in 2005.

    I understand opinions change over time, but how did we go from that to:

    "Watching Peter Jackson make a joke out of Tolkien's magnificent Lord of the Rings and of Tolkien's amusing but much slighter The Hobbit may lead some people to think that great works of literature are inevitably trashed when converted to film form."

    Seems like a pretty drastic shift, I am curious as to what caused this change in perspective.

    Let me be clear, I'm not trying to be clever or snide here, I really would just like to know why you once thought so highly of the trilogy but no longer do anymore.


    Samuel Ascher-Weiss
  6. print email
    Vintage freaking Card
    December 28, 2012 | 09:54 PM

    I love it. I've never seen (except on accident when my wife made me watch Clueless) any Austen movies, but I feel like I have an opinion on them.

    The best part is the global warming rant. I can't wait to see who he upsets with that one.

    Jacob Smith
  7. print email
    From my blog
    January 02, 2013 | 11:17 PM

    We get it, Mr. Card. You like to attribute movies you don’t appreciate to dumb Hollywood executives and incompetent directors, following the wrong formulas taught in screenwriting classes. I have heard this complaint over and over and over again. But does it really apply to Jackson’s accomplishment?

    I remember from one of the DVD featurettes a teary-eyed John Rhys-Davies â€" who played Gimli, and was therefore heavily involved in the trilogy’s production â€" giving his thanks to the whole crew and cast, saying of their love and dedication to bringing Tolkien’s work to the screen, “You won’t find that in LA.” If there is any big-budget movie series that wasn’t subjected to the all-too-common incompetence and cynicism of Hollywood, it was the Lord of the Rings trilogy. Everything from the dialogue to the props was crafted with the care of a historical epic and the passion of people who had been in love with Middle Earth all their lives. And now The Hobbit: An Unexpected Journey brings us another movie that is a similarly excellent labor of love from the same people. Even that doesn’t stop you from parroting the myth that The Hobbit was padded out into a trilogy purely for financial reasons. And doesn’t the accusation of padding fly in the face with the complaint that so many “vital” parts of the trilogy were cut out from Lord of the Rings? Too short, then too long. Are you going to have your cake or eat it?

    I understand that you appreciate Tolkien in a very particular way, and have spent decades enjoying the story as only you could enjoy it. And maybe the differences between the original books and Jackson’s interpretation felt like a betrayal to the vision you had cultivated and examined and appreciated for so many years. But that should be a matter that is stated once or twice, and then left alone for the opinion and private reaction that it is. It gets under people’s skin when you go back to the same complaint time and time again.

    Take as an example the Scouring of the Shire. How Peter Jackson changed the ending made it work better as a movie, even if the book’s ending worked perfectly as a novel. If he’d kept the Scouring of the Shire at the end of Return of the King, it would have dragged out the story past the central conflict: the danger and destruction of the Ring. Which, again, works fine in the story’s original form, but drags a movie out even more than the myriad endings we already got. I would have left the theater disappointed and more than a little upset.

    Granted, I have learned much about storytelling since then, and am in more of a position to appreciate the Scouring of the Shire and what Tolkien was accomplishing with it, but even now that is all I can do: appreciate it. Not love it. Not find it quickening my imagination. And it undeniably would be a frustrating, dour note to conclude a movie on. But because Jackson left the Shire blessedly intact, I walked out of that theater elated, thinking “This is what I want to do with my life. I want to be a fantasy writer.”

    Some of us were inspired toward fantasy, toward becoming writers, toward the wonders and treasures of Tolkien’s world, because of Jackson and company’s tireless efforts. I should know; I’m one of them. And in honesty, ever since I read the trilogy and The Hobbit, and then saw the movies, I admit to liking Jackson’s Middle Earth even more than Tolkien’s. That’s partly because of personal taste, and partly because of the necessary differences between novels and movies. I’m beginning to think that it isn’t Hollywood’s fault, but yours that it has taken so long for an Ender’s Game movie to finally get made. Clearly you don’t get along well with the movie business and have been far too lacking in cooperation or trust with people who care about storytelling just as much as you do, only in a different medium.

    A writer of your talent and sophistication dragging out the same misguided complaints amounts to little more than eloquent trolling. I will still be reading your work, but will stay firmly within your fiction, where I don’t have to hear this bellyaching anymore. And I do look forward to seeing Ender’s Game in theaters, hoping I don’t find myself saying it was a violent betrayal of your own novel. Because I’ve had my fill of writers saying movies ruin the books they’re based on, and don’t want to fall into the same trap.

    With sincerest regards,

    John K. Patterson

    John K. Patterson
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